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    • EXHIBITIONS and ADULT PROGRAMS >
      • EXHIBITIONS, Current
      • EXHIBITIONS, Upcoming
      • SCULPTURE GARDEN >
        • SCUPTURE GARDEN ARCHIVE
      • ADULT PROGRAMS >
        • Ekphrasis: A Monthly Book Club about Art
        • Films
        • Lectures and Gallery Talks
        • Short Course
    • DOCENT COUNCIL >
      • Docent Council Archive
    • DOCENT HANDBOOK
    • DOCENT ROSTER 2019-20 >
      • DOCENT EMERITUS
    • DOCENT TRAINING SUMMER 2020
    • TRAINING RECAPS
    • DOCENT APPLICATION
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        • JOURNEY THROUGH THE COLLECTION PHOTOS
      • DOCENT EXHIBITION/FAMILY FUN DAY
  • MPS Tours, Archives
    • Becoming Alabama Curriculum Guide
    • MPS KINDERGARTEN PROGRAM 2020 >
      • KINDERGARTEN MOVE WITH ME
      • Gallery Stop Stations 2020
    • KINDERGARTEN ARCHIVES >
      • ART OF BAKING AUDIO LINK
      • CAKEWALK STATIONS
      • CAKEWALK SCRIPT IDEAS
    • FIFTH GRADE TOUR LESSON PLANS >
      • MPS AMERICAN SCENE 5TH GRADE TOUR >
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    • Welcome Angie Dodson
    • DOCENT GRADUATION 2017
    • DOCENT TRAINING ARCHIVES >
      • 2017-18 Training Materials >
        • August 13, 2018 >
          • MoMA Interactive: What is a Print?
          • FRANK STELLA PRINTS
        • August 28, 2017 >
          • MPS 5 Addendum Group 1
        • Early American Portraits and 19th Century Still Life
        • October 30, 2017 >
          • 19th Century Genre Painting and Realism
        • November 6, 2017 >
          • Uncommon Territory
        • November 13, 2017 >
          • VTS Video
        • November 6 and 13 Recap
      • NEW DOCENT PRESENTATIONS 2017
      • 2016 First Docent Training Pics
    • GRADUATION 2015
    • RIVER REGION VOLUNTEER OF THE YEAR
    • SUMMER ENRICHMENT 2017
    • EXHIBITION IMAGES, ARCHIVED
    • EXHIBITION ARCHIVES >
      • PRESENT EXHIBITIONS
      • 1917-2017: A Century of U.S. Airpower from the Air Force Art Collection
      • Beth Lipman Label Copy
      • Beth Lipman
      • Dinner Bell
      • Frank Stella Prints: A Retrospective
      • Hans Grohs and the Dance of Death
      • Lynn Saville
      • Nature, Tradition and Innovation: Contemporary Japanese Ceramics from the Gordon Brodfueher Collection
      • Pairs and Partners >
        • Pairs and Partners
      • Photorealism
      • Rodin: Realism, Fragments, and Abstraction
      • Sewn Together: Two Centuries of Alabama Quilts
      • Taking it to the Streets
      • Women's Work
    • OLLI, ARCHIVES
    • SHORT COURSE ARCHIVES >
      • DOCENT SHORT COURSE, Spring 2015
  • TOUR PHOTOS
    • MONTGOMERY CHRISTIAN ACADEMY
  • Docent Personal Event Page
    • BOCQUIN BABY SHOWER
    • Wanica Means in Baptist Commercial
    • Murphy Smith Wedding Reception
  • OLLI Course Schedule
  • Link Page

Rodin: Realism, fragments, and abstraction

Rodin: Realism, Fragments, and Abstraction
May 20, 2017 through Jan. 17, 2018
The Gates of Hell (1880-1917) and Burghers of Calais (1884-1889) are two of the most important works by Auguste Rodin (French, 1840-1917). During his long and productive life, the innovative and influential sculptor shocked contemporary artists and the general public with his personal style of realism and figural abstraction epitomized by these sculptures. A small-scale maquette, or model, of the Gates of Hell and a full-size bronze cast of the Three Shades (38 inches high) from that project will be shown, as well as a monumental bronze figure from the Burghers of Calais and a full-scale bronze head of another burgher.
 
These works represent some of Rodin’s best-known art, and they are notable for their strong, emotional content and their scintillating, impressionistic surfaces. They also illustrate his unconventional preference for realism rather than idealism in public monuments, his unprecedented reuse of sculptural elements in new compositions, and his radical practice of fragmenting figures for artistic effect.
​
The Three Shades, The Gates of Hell, Third Maquette, and Jean de Finnes are loaned by Iris Cantor. All of the bronzes are authorized posthumous
Picture
The Three Shades, modeled 1880-1904, Musée Rodin cast 10 in 1981, bronze, 40 3/4 x 37 1/2 x 29 1/2 inches. Lent by Iris Cantor
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