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  • DOCENT FAVORITES
  • DOCENT PROGRAM
    • EXHIBITIONS and ADULT PROGRAMS >
      • EXHIBITIONS, Current
      • EXHIBITIONS, Upcoming
      • SCULPTURE GARDEN >
        • SCUPTURE GARDEN ARCHIVE
      • ADULT PROGRAMS >
        • Ekphrasis: A Monthly Book Club about Art
        • Films
        • Lectures and Gallery Talks
        • Short Course
    • DOCENT COUNCIL >
      • Docent Council Archive
    • DOCENT HANDBOOK
    • DOCENT ROSTER 2019-20 >
      • DOCENT EMERITUS
    • DOCENT TRAINING SUMMER 2020
    • TRAINING RECAPS
    • DOCENT APPLICATION
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      • THE DOCENT WALL
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      • FIELD TRIPS
      • DOCENT PRESENTATION PICS 2016
    • DOCENT EXHIBITION AND MORE >
      • DOCENT EXHIBITION 2016 >
        • JOURNEY THROUGH THE COLLECTION PHOTOS
      • DOCENT EXHIBITION/FAMILY FUN DAY
  • MPS Tours, Archives
    • Becoming Alabama Curriculum Guide
    • MPS KINDERGARTEN PROGRAM 2020 >
      • KINDERGARTEN MOVE WITH ME
      • Gallery Stop Stations 2020
    • KINDERGARTEN ARCHIVES >
      • ART OF BAKING AUDIO LINK
      • CAKEWALK STATIONS
      • CAKEWALK SCRIPT IDEAS
    • FIFTH GRADE TOUR LESSON PLANS >
      • MPS AMERICAN SCENE 5TH GRADE TOUR >
        • TOUR OVERVIEW
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        • OUTREACH
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  • BLOG
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    • TOURING STRATEGIES
    • GENERAL BACKGROUND
    • EXHIBITION BACKGROUND
  • ARCHIVES, VARIOUS
    • Welcome Angie Dodson
    • DOCENT GRADUATION 2017
    • DOCENT TRAINING ARCHIVES >
      • 2017-18 Training Materials >
        • August 13, 2018 >
          • MoMA Interactive: What is a Print?
          • FRANK STELLA PRINTS
        • August 28, 2017 >
          • MPS 5 Addendum Group 1
        • Early American Portraits and 19th Century Still Life
        • October 30, 2017 >
          • 19th Century Genre Painting and Realism
        • November 6, 2017 >
          • Uncommon Territory
        • November 13, 2017 >
          • VTS Video
        • November 6 and 13 Recap
      • NEW DOCENT PRESENTATIONS 2017
      • 2016 First Docent Training Pics
    • GRADUATION 2015
    • RIVER REGION VOLUNTEER OF THE YEAR
    • SUMMER ENRICHMENT 2017
    • EXHIBITION IMAGES, ARCHIVED
    • EXHIBITION ARCHIVES >
      • PRESENT EXHIBITIONS
      • 1917-2017: A Century of U.S. Airpower from the Air Force Art Collection
      • Beth Lipman Label Copy
      • Beth Lipman
      • Dinner Bell
      • Frank Stella Prints: A Retrospective
      • Hans Grohs and the Dance of Death
      • Lynn Saville
      • Nature, Tradition and Innovation: Contemporary Japanese Ceramics from the Gordon Brodfueher Collection
      • Pairs and Partners >
        • Pairs and Partners
      • Photorealism
      • Rodin: Realism, Fragments, and Abstraction
      • Sewn Together: Two Centuries of Alabama Quilts
      • Taking it to the Streets
      • Women's Work
    • OLLI, ARCHIVES
    • SHORT COURSE ARCHIVES >
      • DOCENT SHORT COURSE, Spring 2015
  • TOUR PHOTOS
    • MONTGOMERY CHRISTIAN ACADEMY
  • Docent Personal Event Page
    • BOCQUIN BABY SHOWER
    • Wanica Means in Baptist Commercial
    • Murphy Smith Wedding Reception
  • OLLI Course Schedule
  • Link Page

Allan Rohan Crite

Allan Rohan Crite (1910-2007) was raised in Boston’s South End and studied at the Latin School, English High School, School of the Museum of Fine Arts, Boston, and Harvard University.  He won the Boston Museum School Scholarship and the Boit Prize, both in 1935.  In 1936, his work was exhibited in the Museum of Modern Art.  During the 1930s and 40s, he created a series of “neighborhood paintings” and prints that documented his predominantly African American Roxbury community, but he is best known for his religious illustrations. (see video interview with the artist)

During the 1930s, Crite, a devout Episcopalian, began to concentrate on religious themes.  He painted murals in Episcopal parishes in several states, produced pen and ink drawings and lithographs, and he authored and illustrated three religious books:  Were You There?; All Glory; and Three Spirituals from Earth to Heaven.  Due to his sense of racial pride, all of the figures in Crite’s paintings and illustrations are represented as African Americans.  He often set religious scenes in urban environments.

The Crite prints were hand printed by Sue Ann Evans on Japanese Kitakata paper and mounted on hand-made sheets from the Dieu Donne Papermill.

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